It's very sharp and has only the smallest issues with chromatic aberration, but what really sets this lens apart is its almost total lack of distortion-incredible for a prime lens wider than 50mm. That's a tough question to answer without knowing your specific needs and current bank balance, but our lab tests show that it's a top-flight performer in the right conditions. A perfect lens would render the finest details accurately, wouldn’t distort straight lines or produce ugly fringing around high-contrast subjects, and would create smooth out-of-focus areas.īy any objective standard, the Canon 35mm f/1.4L is an excellent lens. When evaluating any lens, we focus on four key areas: sharpness, distortion, chromatic aberration, and bokeh. At just $549, it gets you most of the way to f/1.4 and also provides very good image quality in a much smaller package. If you don't need f/1.4, consider Canon's EF 35mm f/2, which was recently updated with image stabilization. Third-party options like the Sigma 35mm f/1.4 cost significantly less, and while they may not be quite as durable, they often provide equivalent or even superior performance. It’s even sharper in these situations, since the corners and edges of the frame are cropped away, eliminating this lens's one major weak spot.īut despite how good this lens is, it’s really only worth the price if you absolutely must have weather sealing, or if you simply won't settle for anything less than L-series lenses. This lens can also pull double duty as a "fast fifty" if you’ve got something like an EOS 7D Mark II as your backup camera. The wide f/1.4 maximum aperture makes this a great lens for both low-light shooting and shallow depth of field applications.
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